Lindsay Community Theater
The Biggest Little Theater in Central California
LCT Concert Series
Jan 11, 2020 at 7:30 PM
All Seats $19.99
Singer and breakneck acoustic guitarist George Cole lives in a musical world all his own.... a world in which
Django Reinhardt, The Ramones, Nat King Cole and Doc Watson get equal billing with Irving Berlin, George
Gershwin, Willie Nelson and the Great American Songbook. Cole currently occupies the guitar chair for the
David Grisman Quintet and has 2 releases on Grisman's highly regarded Acoustic Disc Label. George was
guitar teacher and mentor to Rock and Roll Hall of Fame Inductees Billie Joe Armstrong and Mike Dirnt of
Green Day for 10 years in the East Bay. Cole, a San Francisco native and BAMMIE award winner brings an
expertise to his guitar playing and singing that is filtered through Rock and Roll, Gypsy Jazz and All things
American. The music he makes brings to mind the old adage "Everything Old Is New Again". David Grisman
tapped Cole to play on his most recent Sextet record and Cole in turn featured Grisman on his release
"George Cole Live". Jazz legend Keely Smith handpicked Cole to play guitar and sing duets with her on her
last tour. Chris Isaak also had Cole lay down guitar tracks on his platinum selling Forever Blue release. Cole is
currently performing at festivals, performing arts centers, top nightclubs, and vintage theaters. Watch and listen
Master guitarist George Cole loves a song with good bones. Get in, tell a four-minute story, get out.
An interview in the Kensington home he shares with Sheila, his wife and booking agent, and Val, their
8-year-old son, becomes a mini concert.
"Lots of attack, bite, sounds pretty, yeah?" he asks, after ripping off a flurry of notes demonstrating the sweet
sound of his favorite guitar, a Selmer-Maccaferri replica made by luthier Bob Holo. "The guitar's not a living
thing, but it's alive." A snippet of legendary French guitarist Django Reinhardt's "Blue Drag," its cool, minor key
tune vocalized, is evidence of Cole's musical heritage. "I still have my grandmother's record player," he claims.
Wrapped up in a musical bundle encompassing Reinhardt, Lawrence Welk, Perry Como, the Beatles, Led
Zeppelin, Sly and the Family Stone, Gypsy jazz, uptown swing, every American Songbook selection he ever
met and Green Day (more on that later), Cole began his love affair with music on an accordion. Discovering
that girls in his Richmond neighborhood were more into guitar players, he switched instruments, playing James
Brown hits with mostly African-American kids from whom he learned the importance of groove.
"Jelling with other musicians, race didn't matter," he recalls. "My first guitar, just taking it out of the case; I knew
I was complete." But switching instrumental gears didn't mean he abandoned what he calls "the thrill of doing
the unexpected." After playing lead guitar with pop rock band Beatnik Beatch and others, touring with the
Eagles' Joe Walsh, performing with Ringo Starr, Boz Scaggs and his own acoustic jazz bands, Cole attended
a concert by French guitarist Bireli Lagrene at Yoshi's on March 8, 2003.
"I decided then and there to sell all my electric guitars and amplifiers," he says.
"Bireli was virtuoso, emotional, all about love, not burnt out," he recalls. And the music, zip-lining to 1934
France and the fiery jazz style established by Reinhardt and violinist Stephane Grappelli, recaptured his heart.
Combined with what he's dubbed "uptown swing," a big band sound shrunk down for small ensemble, Cole
says there's "no greater match than a guitar and a violin, playing with no drums covering up the music's power,
punch, energy and joy."
The third annual Esprit de Django et Stephane Festival at Berkeley's Freight & Salvage, Jan. 23-26, is the
outpouring of Cole's enthusiasm for a style of music that "drives well." The festival's packed performances and
workshops (Jan. 24-26) still leave him saying, "Django is the guy who brought acoustic guitar to the world.
I'm just another link in that chain."
Recently retired Freight executive director and guitarist Steve Baker says Cole is "a great musician and
performer." He says the Freight is typecast as a folk music venue, but the festival Cole curates and directs is a
"genre-bending string instrument compilation" erasing traditional lines.
If Cole is an agent of change, he's also connected to the next generation of corner-turning musicians. A
longtime educator with a solid list of students (most famously including Green Day's Billie Joe Armstrong and
Mike Dirnt), he says a great teacher is "a possibility model." His own "best lessons" were delivered by Dan
Boyd, the Richmond teacher who forced him to analyze four-part barbershop quartets when he wanted to play
Zepplin and convinced him "showing up, encouraging, being a good, wholesome person" were just as
important as tuning and fingering.
"I see kids grow up and thrive," he says. "When I met Billie Joe, he was a sad little boy. His father had died;
same time as mine. He got music like some people get religion." Cole speaks fondly of their father-son,
mentoring-type relationship, causing a question: Is your son picking up the guitar?
"We've started the guitar thing; he sings, writes and plays. There was no pressure, but when I brought him
home from Kaiser Walnut Creek, where he was born, there was a vintage guitar hanging over his bed like a
crucifix," Cole says, laughing.